We are thrilled to welcome Peter Strain back to The Coningsby Gallery this September for his upcoming solo exhibition ‘TYPEface’, which will run from 3 - 15 September 2018.
This will be Peter’s second showing at The Coningsby Gallery, following his successful exhibition ‘ADMIT ONE’, January 2013. In ‘TYPEface’, Peter once again pays homage to significant influence music and film has had on his work, celebrating musicians, filmmakers and the works that they have produced.
In addition to these never-before-exhibited pieces Peter will also be presenting a series of new works; montages of illustrations influenced by self-composed lyrics. These extremely personal pieces will be a first for Peter, and we are excited to be revealing these for the first time at his exhibition.
To see more of Peter's work click here.
For more information about the exhibition, click here.
Eoin Ryan was commission to create one of a series of new illustration to commemorate 25 years of TfL. The aim of the campaign is to remind Londoners why they love TfL and highlight the rich connections, improvements, and influence it has brought to their lives over the past 25 years. More of Eoin's work can be viewed here.
AAAS hosted a recent gallery show, “Invisible, novel, and complex: A decade of visualizing science”, which was a 10-year retrospective show of visuals from Science magazine, being shown in their home office in Washington, DC. One of the highlights of the exhibit included a pair of pieces about Neurodegeneration by Simon Prades, originally commissioned for the October 2, 2020 issue of Science. Photography: Chrystal Smith/Science. Simon's full portfolio can be reviewed here.
Lisa had the pleasure of creating the artwork for The Royal Shakespeare's upcoming production of 'The BFG' (The Big Friendly Giant). The show, directed by Daniel Evans and adapted by Tom Wells is set to debut later this year.
Alan Kitching was commissioned by Cadogan Estate to create a mural in central London. The mural celebrates Mary Quant’s fashion work in the building in the 1960’s. Originally created in letterpress then translated into paint onto a 40ft wall by Will Impry. You can view the artwork on King’s Road near Duke of York Square in Chelsea, London.