This April, Début Art and The Coningsby Gallery will be proud to show ‘Deep Time’, an exhibition of works from illustrator Sam Falconer. Sam will be presenting a series of new works inspired by key moments in the history of the universe, life and human development. Each piece will be presented in the context of its place on the cosmic timeline in the hope of giving some sense of where, and when, we find ourselves in 2018.
Alongside these new pieces, Sam will also be exhibiting highlights from his first 7 years working as an illustrator. This includes work for National Geographic, Scientific American, The Guardian, The Independent and New Scientist magazine, as well as highlights from his largest publishing project to date, “Flora: The Graphic Book of the Garden” with Guy Barter, published by Aurum Press.
Press:
Digital Arts speaks with Sam Falconer about how he transforms science and geology into digestible, elegant illustrations: read the interview here.
Eoin Ryan was commission to create one of a series of new illustration to commemorate 25 years of TfL. The aim of the campaign is to remind Londoners why they love TfL and highlight the rich connections, improvements, and influence it has brought to their lives over the past 25 years. More of Eoin's work can be viewed here.
AAAS hosted a recent gallery show, “Invisible, novel, and complex: A decade of visualizing science”, which was a 10-year retrospective show of visuals from Science magazine, being shown in their home office in Washington, DC. One of the highlights of the exhibit included a pair of pieces about Neurodegeneration by Simon Prades, originally commissioned for the October 2, 2020 issue of Science. Photography: Chrystal Smith/Science. Simon's full portfolio can be reviewed here.
Lisa had the pleasure of creating the artwork for The Royal Shakespeare's upcoming production of 'The BFG' (The Big Friendly Giant). The show, directed by Daniel Evans and adapted by Tom Wells is set to debut later this year.
Alan Kitching was commissioned by Cadogan Estate to create a mural in central London. The mural celebrates Mary Quant’s fashion work in the building in the 1960’s. Originally created in letterpress then translated into paint onto a 40ft wall by Will Impry. You can view the artwork on King’s Road near Duke of York Square in Chelsea, London.