"Thought has no limits and creativity is the only human characteristic that can conceive of the eternal cosmos."
Peter Horvath, born of Hungarian descent into a lineage of photographers, began taking pictures at age 6. After spending his formative years inhaling darkroom fumes, he worked as a photographer until he discovered computers in 1995 when a friend gave him a Macintosh Plus. Shortly afterward, he happened across the work of Dadaists John Heartfield and Hannah Hoch, which exposed him to the world of photo-montage. He has since produced hundreds of digital collage works exploring narrative, the surreal, and abstraction.
Previous commercial clients include: The Washington Post, The Atlantic Monthly, Wired Magazine, Entertainment Weekly, The Wall Street Journal, Forbes Magazine, Scientific American Mind Magazine, The L.A. Times and L.A Weekly among others.
Peter has been awarded numerous grants from The Canada Council for the Arts for his new media work and is the recipient of commissions from Rhizome.org at The New Museum, NYC (2005) and Turbulence.org New Radio and Performing Arts, Boston (2004). He has exhibited in museums and galleries across the globe including the Whitney Museum Of American Art‘s Artport, Museo Tamayo Arte Contemporaneo (Mexico City), the Musee National des Beaux-Arts du Quebec (Quebec City, Canada) and FILE Electronic Language International Festival (Sao Paulo, Brazil).
In his spare time he likes to consider a future when high bandwidth will be free.
Eoin Ryan was commission to create one of a series of new illustration to commemorate 25 years of TfL. The aim of the campaign is to remind Londoners why they love TfL and highlight the rich connections, improvements, and influence it has brought to their lives over the past 25 years. More of Eoin's work can be viewed here.
AAAS hosted a recent gallery show, “Invisible, novel, and complex: A decade of visualizing science”, which was a 10-year retrospective show of visuals from Science magazine, being shown in their home office in Washington, DC. One of the highlights of the exhibit included a pair of pieces about Neurodegeneration by Simon Prades, originally commissioned for the October 2, 2020 issue of Science. Photography: Chrystal Smith/Science. Simon's full portfolio can be reviewed here.
Lisa had the pleasure of creating the artwork for The Royal Shakespeare's upcoming production of 'The BFG' (The Big Friendly Giant). The show, directed by Daniel Evans and adapted by Tom Wells is set to debut later this year.
Alan Kitching was commissioned by Cadogan Estate to create a mural in central London. The mural celebrates Mary Quant’s fashion work in the building in the 1960’s. Originally created in letterpress then translated into paint onto a 40ft wall by Will Impry. You can view the artwork on King’s Road near Duke of York Square in Chelsea, London.