Peter Quinnell has been working with the team at BBH on the relaunch of The Guardian's 'Own The Weekend' campaign.
Peter created the main poster, featuring a collage of visuals of weekend activities as well as a series of posters for each of their weekend supplements. All the included imagery is taken from the Guardian and Observer picture archive.
The release of the ad ties in with a redesign for the paper, which brings elements of the Guardian's digital design into the print offering. Read more about this on Design Week, here.
The work is being used nationally across all media, keep an eye out.
For more on Peter Quinnell, and to see his portfolio click here.
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Eoin Ryan was commission to create one of a series of new illustration to commemorate 25 years of TfL. The aim of the campaign is to remind Londoners why they love TfL and highlight the rich connections, improvements, and influence it has brought to their lives over the past 25 years. More of Eoin's work can be viewed here.
AAAS hosted a recent gallery show, “Invisible, novel, and complex: A decade of visualizing science”, which was a 10-year retrospective show of visuals from Science magazine, being shown in their home office in Washington, DC. One of the highlights of the exhibit included a pair of pieces about Neurodegeneration by Simon Prades, originally commissioned for the October 2, 2020 issue of Science. Photography: Chrystal Smith/Science. Simon's full portfolio can be reviewed here.
Lisa had the pleasure of creating the artwork for The Royal Shakespeare's upcoming production of 'The BFG' (The Big Friendly Giant). The show, directed by Daniel Evans and adapted by Tom Wells is set to debut later this year.