Sam Kerr approaches his work with an equal amount of thought placed on the drawing style and concept. “For me, the two are inseparable and as important as each other. To get the best out of an idea, you have to match it to the right medium.”
Although most ventures into different ways of working have come about through a basic need for variety, some were born out of necessity. In 2011, Sam Kerr spent six months bedridden as a result of back problems, so in order to keep up his drawing, learnt to work entirely on his iPhone, as you can see from the above portraits.
As of December 2011, Sam returned to his studio with a new back and continues to work on his collaborative projects with illustration collective Lie-ins and Tigers, and new joint venture Interrobang with friend Russell Weekes.
Sam Kerr is available for commission right now, and to see more from his folio check here:
Eoin Ryan was commission to create one of a series of new illustration to commemorate 25 years of TfL. The aim of the campaign is to remind Londoners why they love TfL and highlight the rich connections, improvements, and influence it has brought to their lives over the past 25 years. More of Eoin's work can be viewed here.
AAAS hosted a recent gallery show, “Invisible, novel, and complex: A decade of visualizing science”, which was a 10-year retrospective show of visuals from Science magazine, being shown in their home office in Washington, DC. One of the highlights of the exhibit included a pair of pieces about Neurodegeneration by Simon Prades, originally commissioned for the October 2, 2020 issue of Science. Photography: Chrystal Smith/Science. Simon's full portfolio can be reviewed here.
Lisa had the pleasure of creating the artwork for The Royal Shakespeare's upcoming production of 'The BFG' (The Big Friendly Giant). The show, directed by Daniel Evans and adapted by Tom Wells is set to debut later this year.
Alan Kitching was commissioned by Cadogan Estate to create a mural in central London. The mural celebrates Mary Quant’s fashion work in the building in the 1960’s. Originally created in letterpress then translated into paint onto a 40ft wall by Will Impry. You can view the artwork on King’s Road near Duke of York Square in Chelsea, London.