Congratulations to Patrick George whose illustration "Clear & Present Danger" commissioned for GreenSource magazine by Art Director Ted Keller has won an award at the SPOTS annual illustration competition.
The Society of Publication Designers sponsors the SPOTS competition each year to champion the use of small-space commissioned illustrations (called “spot illustrations”) in editorial publications.
Judging took place in April of this past year and the panel of judges was a distinguished group of editorial art directors that included the Design Director of The New York Times Magazine, Arem Duplessis, The Design Director of Metropolis magazine, Dunjai Pungauthaikan, Jessica Walsh of Sagmeister Design, Tim O’Quinn of Money magazine, and information graphics guru Nicholas Felton. The competition was chaired by Criswell Lappin of Farenheit 212, former DD of Metropolis magazine.
Eoin Ryan was commission to create one of a series of new illustration to commemorate 25 years of TfL. The aim of the campaign is to remind Londoners why they love TfL and highlight the rich connections, improvements, and influence it has brought to their lives over the past 25 years. More of Eoin's work can be viewed here.
AAAS hosted a recent gallery show, “Invisible, novel, and complex: A decade of visualizing science”, which was a 10-year retrospective show of visuals from Science magazine, being shown in their home office in Washington, DC. One of the highlights of the exhibit included a pair of pieces about Neurodegeneration by Simon Prades, originally commissioned for the October 2, 2020 issue of Science. Photography: Chrystal Smith/Science. Simon's full portfolio can be reviewed here.
Lisa had the pleasure of creating the artwork for The Royal Shakespeare's upcoming production of 'The BFG' (The Big Friendly Giant). The show, directed by Daniel Evans and adapted by Tom Wells is set to debut later this year.
Alan Kitching was commissioned by Cadogan Estate to create a mural in central London. The mural celebrates Mary Quant’s fashion work in the building in the 1960’s. Originally created in letterpress then translated into paint onto a 40ft wall by Will Impry. You can view the artwork on King’s Road near Duke of York Square in Chelsea, London.